Exploring the Depths of Resilience in August Wilson’s “Two Trains Running”
August Wilson, a two-time Pulitzer Prize winner, adds to his renowned Pittsburgh Cycle with the evocative play, Two Trains Running. This production serves to illuminate the Black experience in America during the era following migration to northern urban centers. Set in the Hill District of Pittsburgh, a once-bustling area now facing economic strife, the narrative centers on Memphis Lee, the owner of a diner who grapples with the impending pressures of redevelopment amidst societal changes in the 1960s.
Thematic Elements: Economic Struggles and Social Commentary
At the heart of Two Trains Running is an unflinching critique of systemic poverty and racial inequality. Memphis, portrayed by Michael A. Shepperd, is confronted with a pivotal decision regarding his diner: should he accept the redevelopment proposal or compromise by selling to a ruthless businessman? This dilemma serves as a backdrop for broader discussions surrounding the panic among white populations regarding Black empowerment during a turbulent historical period marked by the assassinations of figures such as Malcolm X and Martin Luther King Jr., alongside rising crime rates.
Spiritual Symbolism and Character Dynamics
Wilson’s works often incorporate spiritual motifs, and in this play, the character of Aunt Ester—a 349-year-old, unseen figure—serves as a symbol of wisdom and resilience. She plays a crucial role in guiding the other characters as they navigate their aspirations and conflicts. Additionally, the character Hambone, represented by Chuckie Benson, highlights themes of justice and entitlement as he persistently demands the remuneration for his labor—symbolized by a ham.
Diverse Character Portrayals
As the action unfolds within the diner, a rich array of characters emerge, including Halloway (Michael J. Asberry), who calls out the flaws of his peers; Wolf (J’Laney Allen), a local numbers runner; West (Robert Cornelius), a prosperous funeral director; and Sterling (James Milord), a young man newly released from incarceration with dreams of a better life. Risa (DeAnna Supplee) stands out as the dedicated waitress who develops a budding romance with Sterling. The cast brings a wealth of experience, with many actors having previously worked with Wilson or performed in classic works such as Shakespeare’s plays.
Two Trains Running is part of a dual performance alongside A Comedy of Errors, further showcasing the cast’s theatrical versatility. The language employed by Wilson is characterized by its lyricality, resonating with the authentic voices of his characters.
Performance Details
This remarkable production is set to run until May 4th. Tickets can be purchased through the American Conservatory Theater’s official website or by contacting their box office.
Photo credits: Lore Photography Ventura
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