San Francisco Ballet’s Raymonda: A Dazzling North American Premiere
The San Francisco Ballet’s recent production of Raymonda, directed by Tamara Rojo, captivates audiences through vibrant ensemble dancing and a stunning visual spectacle featuring over 600 exquisite costumes. This production, which made its North American debut on March 1, showcases the rich cultural influences of Hungary, Spain, and the Ottoman Empire within its folk-inspired character dances, all set to Alexander Glazunov’s dynamic score adapted under the baton of Martin West.
Reimagining a Classic
Rojo’s adaptation represents not just a revival of Marius Petipa’s original choreography but also a modern reinterpretation. The setting shifts from the medieval crusades to the turbulent times of the Crimean War (1853–1856), framing the story against the backdrop of international conflict, ambition, and cultural exchange. This contextual shift is underscored by projections of period newspaper headlines that evoke a sense of urgency and turmoil before the curtain rises.
Plot Overview
The narrative unfolds in an English country manor, where the protagonist, Raymonda (portrayed by Sasha De Sola), bids farewell to her fiancé John de Bryan (guest artist Joseph Caley) as he departs for war. Motivated by both duty and affection, Raymonda decides to follow him to the front lines of Sevastopol. Drawing inspiration from the exemplary efforts of Florence Nightingale during the Crimean War, Rojo has crafted a character who embodies both compassion and resolve, though the amount of nursing in the narrative remains minimal, apart from a poignant moment featuring Jasmine Jimison as Sister Clemence.
A Love Triangle Emerges
The plot thickens as a love triangle forms between Raymonda, John, and the Ottoman ally Abdur Rahman, portrayed with sensual elegance by Fernando Carratalá Coloma. As John entrusts Abdur with the care of Raymonda, the dynamics shift dramatically, leading to moments charged with tension and allure. De Sola’s performance evolves as she navigates her conflicted feelings, bringing depth to her character’s journey.
Highlights from the Ballet
One of the most enchanting scenes occurs as Raymonda dreams within her tent, surrounded by ethereal figures clad in white. This dream sequence blurs the boundaries between reality and imagination, effectively conveying Raymonda’s internal struggles. The choreography in this segment illustrates a transitional state, offering viewers an emotional and visual feast.
Character Dances and Challenges
As the production progresses into its later acts, focus shifts to celebratory character dances and wedding festivities. While this part of the ballet displays remarkable exuberance and skill, it also tends to dilute the narrative momentum, becoming reminiscent of a competitive display of talent. Despite minor performance miscues, the overall execution remains spirited and engaging.
The Journey Continues
As De Sola’s performance progresses, she transforms her final solo into a profound moment of introspection. In a striking display of control, she balances gracefully, encapsulating her character’s uncertainty and the weight of impending decisions. The conclusion leaves audiences pondering Raymonda’s uncertain future, evoking a sense of intrigue and emotional resonance.
Final Thoughts
San Francisco Ballet’s Raymonda runs until March 8, offering a fresh, culturally rich interpretation of a classic work. This reimagined ballet, rich in visual and emotional depth, invites audiences to witness the complexities of love and duty set against a backdrop of historical significance.
