On April 3, 2025, the San Francisco Symphony, in collaboration with the San Francisco Museum of Modern Art (SFMOMA), launched an unprecedented immersive experience titled A Symphony of Sound and Space. This groundbreaking event, held at the iconic SFMOMA building, blurred the lines between visual art and live performance, offering attendees a unique fusion of classical music and innovative multimedia installations. The event marked a bold step forward in the convergence of traditional art forms and modern technological advancements, setting a new standard for cross-disciplinary collaborations in the Bay Area.
Key figures involved in the event included Michael Tilson Thomas, the renowned conductor of the San Francisco Symphony, whose leadership guided the musical performance. Tilson Thomas, known for his visionary approach to music, conducted a specially curated symphony that was designed to interact dynamically with the surrounding art installations. His expertise in integrating visual and auditory elements was essential in creating a harmonious experience that engaged all of the senses.
The centerpiece of the event was an expansive multimedia installation by digital artist Sophia Reyes, whose work has gained international recognition for its exploration of the relationship between sound, space, and perception. Reyes’s installation, titled Echoes of the Future, used advanced projection mapping and 3D soundscapes to envelop the audience in a world of shifting colors and shapes, perfectly synchronized with the music performed by the Symphony. The installation’s innovative use of space created a sensory environment where the audience could physically feel the interaction between sound and light, transforming the performance into a fully immersive, multi-dimensional experience.
Among the other key figures were SFMOMA’s Chief Curator of Contemporary Art, Dr. Evelyn Park, who played a critical role in organizing the collaboration between the museum and the symphony. Dr. Park’s work has been pivotal in bringing together different forms of art to create transformative cultural experiences. Her curatorial vision was evident in the integration of Reyes’s artwork with the symphony’s performance, which encouraged the audience to consider how both visual and auditory art can evoke powerful emotional responses.
The event’s success drew a diverse crowd, from classical music enthusiasts to contemporary art lovers, who all appreciated the novel approach to blending two of the region’s most beloved cultural institutions. A Symphony of Sound and Space is now being touted as one of the most forward-thinking art events of 2025 and has sparked conversations about the future of immersive art experiences in the Bay Area.
With such a successful debut, it’s clear that this collaboration between the San Francisco Symphony and SFMOMA is a sign of things to come—offering a compelling glimpse into how the future of art and music may continue to evolve in exciting new directions.
