The 68th edition of the San Francisco International Film Festival (SFFILM) concluded on April 27, 2025, wrapping up an 11-day cinematic celebration that drew filmmakers, cinephiles, and industry professionals from across the world. As one of the longest-running film festivals in the Americas, the 2025 event reaffirmed its legacy by offering an impressive array of over 150 films from more than 50 countries, as well as a slate of special events, tributes, and immersive panel discussions.
Held at iconic venues such as the Castro Theatre, Roxie Theater, and Berkeley Art Museum, the festival was a return to full capacity after previous years saw scaled-down programming due to pandemic aftershocks. Organizers emphasized inclusivity, global storytelling, and community engagement as the heart of this year’s theme. With a blend of established filmmakers and emerging voices, SFFILM showcased a vibrant cross-section of modern cinema.
Spotlight on Premieres and Storytelling
Opening night featured the world premiere of Rebuilding, a contemplative drama directed by Max Walker-Silverman and starring Josh O’Connor. The film, set against the backdrop of a rural American community recovering from devastating wildfires, was lauded for its intimate portrayal of resilience and ecological grief. The emotionally grounded narrative struck a chord with audiences, setting the tone for a festival that leaned into thoughtful, character-driven storytelling.
Closing out the festival was Outerlands, a San Francisco-set film by local director Elena Oxman. Shot in just 24 days across 36 city locations, the film explores themes of identity, family history, and belonging, all through the lens of a queer protagonist reconnecting with their roots. The hometown setting and rapid production schedule drew admiration, and Oxman’s storytelling was praised for its nuanced portrayal of San Francisco’s cultural mosaic.
Honors and Tributes to Influential Artists
This year’s tributes offered a blend of nostalgia and critical reflection. Director Chris Columbus, a San Francisco native, received a career-spanning homage, complete with retrospective screenings of Rent, Nine Months, and Mrs. Doubtfire. Audiences also participated in a costume contest themed around characters from his beloved films, further showcasing the interactive spirit of the festival.
Another standout tribute honored actor André Holland, whose performances in Love, Brooklyn and the adaptation of The Dutchman were met with standing ovations. Holland, celebrated for his nuanced portrayals of complex characters, participated in a post-screening Q&A that delved into his approach to character development and the importance of Black representation in cinema.
Diverse Programming and Global Voices
The 2025 program was marked by a deliberate focus on global diversity. Noteworthy international features included Rains Over Babel, a surreal Colombian film that blends magical realism with urban dystopia, and Cloud, a taut Japanese thriller that critiques the intersection of surveillance and personal freedom. These selections reinforced the festival’s commitment to showcasing underrepresented cinematic perspectives.
In the realm of documentaries, The Dating Game offered a poignant look into the lives of young Chinese men navigating love and societal pressure. The film resonated with audiences for its humane storytelling and socio-political insight.
Additionally, a retrospective titled “Night Terrors” celebrated the horror genre’s capacity for social commentary, featuring classics like The Babadook, The Fog, and the 1977 Japanese cult film Hausu. The series drew packed audiences and lively discussions about the evolving role of horror in modern cinema.
Supporting Emerging Talent and Community Engagement
In keeping with its mission to uplift new voices, SFFILM awarded top honors to Come See Me in the Good Light, a coming-of-age story that explores migration and mental health; All That’s Left of You, a drama focused on intergenerational trauma; and Souleymane’s Story, a powerful narrative about refugee identity and hope.
Festival organizers were quick to praise the enthusiasm and turnout of the community, noting a resurgence in public interest in independent and international cinema. “The energy this year was palpable,” said Anne Lai, executive director of SFFILM. “We’re thrilled to see audiences back in theaters, engaging deeply with films and the conversations they inspire.”
As the curtain fell on the 68th edition, the festival left attendees with a renewed appreciation for cinema as a vehicle for empathy, expression, and global dialogue. SFFILM continues to be a cornerstone of the Bay Area’s cultural calendar and a significant platform for artistic discovery.
